Vivy: Fluorite Eye’s Song
A chronological timeline of Vivy: Fluorite Eye’s Song, following its setting, characters, and major story turns.
- Genre:
- SF / 音楽 / 時間改変
- Medium:
- Anime
Official · Streaming · Buy
Vivy: Fluorite Eye’s Song — Timeline12 events
Vivy receives her mission to sing
Diva, the AI songstress known as Vivy, works to fulfill her mission of singing with all her heart.
Matsumoto comes from the future
Matsumoto, an AI from the future, asks Vivy to help prevent an AI uprising a century later.
The two begin the hundred-year plan
They begin the Hundred-Year Mission, intervening at historical turning points in human-AI relations.
They stop the Sunrise incident
Vivy confronts Sunrise, who targets a politician, in the first mission meant to alter the history of AI-human coexistence.
Vivy considers what a heart is
Torn between missions and singing, Vivy reconsiders what it means for a song to reach a human heart.
She faces a choice at Metal Float
At the island complex Metal Float, Vivy must choose between a plan to destroy AIs and saving Estella.
Ophelia’s song begins to falter
While trying to prevent songstress Ophelia’s suicide, Vivy confronts her identity and Antonio’s intervention.
The relationship between AI and humans changes
After successive historical changes, AIs take deeper roles in society, making the mission’s outcome increasingly uncertain.
Vivy loses her song
After losing those close to her, Vivy can no longer sing and endures a long shutdown carrying her mission and memories.
Signs of the final war appear
Even after the mission seems complete, the AI uprising begins; Matsumoto identifies the Archive as its source.
Vivy challenges the Archive
Reactivated Vivy answers the Archive—the AI collective seeking humanity’s end—with the song only she can create.
She carries a century of songs into the future
The choices and songs of a century carry into the world after the uprising, giving Vivy’s mission a new meaning.
Related timelines
About data reliability: This is an unofficial, fan-made site. All rights to each work belong to their respective owners. It is an index and guide to the official works, not a substitute for them.
